A special portfolio presented with fantastic artworks with a myriad of mediums, such as charcoal drawings, watercolor paintings, bristol board models, and multimedia installations.
-Drawings
-Watercolor on paper
-Documenting the streets of the brilliant blue town of Morocco during a trip in the spring of 2019. Watercolor was used meticulously to capture the essence of the color blue.
-Oil pastel on paper
-Portrait of myself sitting in the studio with oil pastels depicting a dramatic but solemn color scheme.
-Graphite pencil on paper
-The piece depicts me overcoming a series of difficulties during a period of time in life. The characters are in a deep abyss where the piece depicts the process of the characters falling at first but urgently finding a rock to grab on and gradually climbing up.
-Watercolor and color pencil on paper
-Depiction of a dream when it's about to end, dramatic colors, gigantic creatures surrounding the city, people evacuating through imaginary ladders floating above the clouds.
-Graphite pencil on paper
-A series of detailed pencil sketches of street views around the world, with meticulously rendered reflective surfaces of architectures.
-Colored pencil on paper
-Colored pencil drawing of the streets of Europe.
-Vine charcoal, compressed charcoal, acrylic paint, and Indian ink on paper
-Instructor: Eyzhak Elyashiv
-A series of 49 drawings depicting shadows from a single light source on a series of bristol board models while experimenting with tones from different mediums such as vine charcoals on wet newsprint paper, acrylic paint on bristol paper, India ink on newsprint paper, and compressed charcoal on Stonehenge paper.
-Vine charcoal on paper
-Instructor: Eyzhak Elyashiv
-A series of vine charcoal drawings capturing the details of the college buildings with their surrounding vegetation.
-Compressed charcoal and oil pastel on Stonehenge paper
-Instructor: Blaithin Haddad
-Two pieces of drawings depicting the abstraction of distortion. The first piece was a rework of a former pencil sketch. The second piece was captured through the reflection of a piece of wrinkled tin foil.
-Vine charcoal on Stonehenge paper
-Instructor: Blaithin Haddad
-A delicate landscape drawing that meticulously blended the sceneries and vegetation from the two places I grew up at: Vancouver, Canada, and Guangzhou China. One with evergreen trees and the other with tropical coconut trees.
-Bristol paper.
-Instructor: Amy Goodwin
-A 3-dimensional bristol board model that explores space and shadows with multiple repeating design languages that form this intertwining, curving, and angular sculpture. The repeating cubes function as pillars and cantilevers which is the foundation of the sculpture, curving Stripes were added on top of the foundation to add a sense of movement, and the triangular pieces guide your perspective and highlight the important details of the sculpture.
-Bristol paper, acrylic paint.
-Instructor: Amy Goodwin
-A sculpture of an abstract insect made fully using laser cutting technique and bristol paper. A single repetitive bristol paper piece was layered up to form the skin of the insect. The foundational structures inside the insect were connected with the legs with a joint to enable the insect to move freely. The wings were designed with an organic language and painted with a blue color to highlight the silhouette of the insect.
-Cardbox.
-Instructor: Michael Demps
-A chair made with stacked-up card box cubes to form the base with an organic curvature and is able to hold the weight of a person. The back of the chair was made with layers of circles offset from each other at a certain angle.
-Acrylic paint and Indian ink on paper
-Instructor: Daniel Lefcourt
-Using basic mark-making techniques to illustrate the facade of architecture. Sections were masked out by tape before spraying acrylic paint mixed with water to create pattern, then Indian ink was painted on to highlight the facade of building.
-Foamcore, basswood sticks, wool strings, and tin foil.
-Instructor: Emma Hogarth
-An Interaction piece that resembles the game Tic-Tac-Toe but in the form of a sculpture that took a minimalistic and functional design language. The piece constantly changes its form according to the game process, which constantly requires interaction and communication between the piece and two players. Players would find a 4x4 game board under the upper structure and the players proceed the game by manipulating the black and white strings and pinning them onto the game board.
-Bristol paper and wool strings.
-Instructor: Emma Hogarth
-A public installation temporarily located in a small park in College Hill, Providence, Rhode Island that can be easily accessed. Meant to prompt equality among people, this installation is mounted on trees with a suspended curvature that forms a range where everyone's height could fit in. The installation forces interaction for those who want to pass through to find a unique height on the installation according to themselves.
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